You’re average indie film auteur likes to create a tone of building dread that sometimes escalates into full blown insanity. The dread and insanity in Upstream Color is how the story opens up, and then along the way it blossoms into a relationship between two people who have been through so much anguish, that the viewer can practically feel it.The pixilicious Amy Seimetz plays the female lead and Shane Carruth himself plays her apprehensive love interest. In addition to directing and playing the male lead, Carruth is also writer, cinematographer, editor, and produced a score that is well worth owning. The tangents offered up between start and finish add a sense of wonder and awe, and in the hands of an idiot could easily slip into self indulgent.
Perhaps just a little bit more was expected of Shane Carruth’s follow up to his mind warping sci-fi debut, 2004’s Primer. Perhaps a more interesting story would have been that of the drugs or the people behind the drugs that have shattered the lives of our main characters. What we’re asked to accept as a consolation prize is just short of magnificent. Upstream Color has a way of resonating as if the best is yet to come from Shane Carruth. He could very well have one of those moments in pop culture that just a few art house directors have managed to grasp.
Eight long years have passed since Primer, and it may have been worth the wait. I might just spend the rest of the summer watching this movie, or at least pondering my own version of it in my head.